Philosophically, Public Art, created for the people within a social context, is most rewarding for me.

Those that see

"The Ribs of Humanity",

in a sense possess them.  Their experience is what the work becomes for them, in their heart and minds;

a kind of iconography that is different for every individual.

The aesthetics of a piece are what brings the work to emotional and spiritual life.  I strive to create beauty that equates with elements of nature, or that deep sense of passion in one's heart, whether it be joyous or tragic.  The viewer's understanding will be born out of these emotions.

Hopefully the viewer's understanding will help to facilitate a dialog, within and with others, about the issues illustrated by

"The Ribs of Humanity". 

These conversations may include the value of all stakeholders affected by business customs; especially the workers, and the communities that are impacted by business practices.

With my sincerest thanks

to the best 'scalpellini's in the world:

• Nick Blahna •

•Carey Netherton• .